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We have to agree that Adobe’s Cloud Documents is an excellent answer to cross-platform sharing and one of the app’s most welcome features.

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Working offline is not a problem either as files are re-synced over Creative Cloud when back online. Obviously, photos can be imported from the iPad’s Camera Roll or directly from the Camera as well, while PSD projects can be picked up directly from the computer, thanks to cloud-based saving. A mere 10 years after its creation, working on an iPad with a 1200 dpi multilayered PSD file has become a reality.

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What sharing the source code means for the iPad is that canvas size on Apple’s tablet is only limited by the amount of available graphics memory (RAM). On the desktop, Photoshop limits document size at 300000 x 300000 pixels (with 10 levels of group hierarchy, and layer number is maximized at 8000), which would consume 250GB of RAM to create – an obvious overstretch for even the most powerful hardware.

We’d like to praise Adobe’s approach here, using the same source code for both their desktop and mobile apps. When inking in the studio, all work is done at 1200 dpi, therefore for the iPad to be considered as a serious contender for the studio, it must be able to handle this environment. Although there are some customization options on this panel, it’s worth noting that right now only RGB 8-bit canvas mode is supported by the app, which is an unnecessary overkill if you work in greyscale. During our test, we could easily set up a 20x16 Inch (the Survey’s maximum photo enlargement size) 1200 dpi canvas without any hiccups. The welcome screen on the iPad is remarkably similar to the desktop experience, however the resemblances end upon opening any of your previous works from the cloud, importing a photo or file from the usual sources or setting up a blank canvas. Nevertheless, we’d like to share our first impressions getting around the interface and working with Photoshop on the iPad.Ĭloud based file sharing is one of the most forward-thinking features built in Photoshop for the iPad After trying out the iPad version in the past weeks, we don’t feel the desire to abandon the Survey’s well-established solutions just yet. Although accommodating such a radical UI change seemingly proposed a challenge even for seasoned Photoshop users, we’d have gladly accepted these changes in return for having all the tools we needed for digital documentation right at our fingertips. Back in May, when public beta-testing of the app started, we had already heard rumors about the iPad version losing the Menu bar with the drop-down menus in favor of a collapsible right-side toolbar. The first signs that Adobe might not deliver on its promises came from Bloomberg’s report, revealing that beta testers were disappointed with Photoshop for iPad’s limited toolset, features and functionality. Now, more than a year after the announcement, the app was released to an overwhelming amount of negative reviews.

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Nonetheless, for the iPad version, we still hoped for Adobe to present a solid set of tools and features wrapped in a touch-friendly UI that could eventually function as a do-it-all core software tool for digital epigraphy. During the past year - somewhat cautiously - we were repeatedly reminded that in Adobe’s terminology “real Photoshop” doesn’t necessarily mean “full Photoshop”.

We couldn’t hide our excitement about the possibilities a desktop quality Photoshop application would mean for the Epigraphic Survey’s digital workflow.

When we started exactly a year ago, one of the first news blurbs on the digital EPIGRAPHY website reported on Adobe’s grand announcement about bringing a full-fledged “real” Photoshop to the iPad.

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Brush was among the first batch of desktop tool sets implemented on the iPadĪdobe Photoshop for the iPad is finally available as a free download through Apple’s App Store.